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A recorded online workshop to help you consistently turn short ideas into full tracks without feeling stuck
Oh the eternal struggle most music producers face; Getting your low end just right, where it’s punchy, tight and warm without sounding muddy and overpowering.
Great low end is one of those things that separates great tracks from merely OK tracks, and what can make or break its usability for modern media – especially for the big screen.
Instead of hopelessly fumbling around and hoping for the best, what if we could follow a step by step system to ensure our low end is as tight and balanced as possible?
To do so, we’ve brought in Austin Seltzer to do a mixing workshop on just that – Nailing your low end.
During this online workshop, Austin will take you through his process for ensuring the low end is just right, while covering topics such as choosing which elements in your track should carry the low-end weight in the mix, how to have a proper balance between bass/sub in our full mix, as well as various applications across Trailer/Hybrid, Hip Hop/Trap, and Pop/Synthwave styles.
Here’s the workshop outline:
The reasons a lot of tracks sound muddy and imbalanced
A lot of issues with the low end stem from a few common mistakes and errors that can wreak havoc on the entire mix. Learn how to identify and avoid these in order to tighten your low end.
Instead of reinventing the wheel each time, learn a step by step process to ensure you get the low end right every time, instead of just winging it and hoping for the best.
Not all drums need low end, and not all bass should carry the sub-frequency
weight. If you try to make every low end element become the main focus, you will often end up with an overpowering or very muddy bass range – learn how to pick the right focus and support roles for your tracks to get a better result.
There’s a fine line between huge-sounding drums and low end that stacks up and
becomes muddy. We’ll explore how this works and how to find this sweet spot.
How to have the overall proper balance of bass/sub in your full mix
We’ll discuss mix bus processing to help even out the overall balance of a mix to ensure a proper balance, and getting a loud mix without distorting the low end.
Here’s the workshop outline:
The reasons a lot of tracks sound muddy and imbalanced
A lot of issues with the low end stem from a few common mistakes and errors that can wreak havoc on the entire mix. Learn how to identify and avoid these in order to tighten your low end.
Instead of reinventing the wheel each time, learn a step by step process to ensure you get the low end right every time, instead of just winging it and hoping for the best.
Not all drums need low end, and not all bass should carry the sub-frequency
weight. If you try to make every low end element become the main focus, you will often end up with an overpowering or very muddy bass range – learn how to pick the right focus and support roles for your tracks to get a better result.
There’s a fine line between huge-sounding drums and low end that stacks up and
becomes muddy. We’ll explore how this works and how to find this sweet spot.
How to have the overall proper balance of bass/sub in your full mix
We’ll discuss mix bus processing to help even out the overall balance of a mix to ensure a proper balance, and getting a loud mix without distorting the low end.
What You Get In The Workshop
Access to the 4 hour live workshop
Ability to submit questions live or before the event
Unlimited replays to enjoy at your own pace, and ability to watch it later if you miss the event
What You Get In The Workshop
Access to the 4 hour live workshop
Ability to submit questions live or before the event
Unlimited replays to enjoy at your own pace, and ability to watch it later if you miss the event
Join Austin live and watch him work in real time, and tune back in for unlimited replays
Ask about anything you might wonder, and get replies in real time.
Learn how to identify and eliminate the biggest issues that cause a muddy and imbalanced low end
Don’t wing it every time with inconsistent results, learn how to establish a workflow that works.
Not all elements need sub and bass frequencies, learn how to prioritize the right ones in order to avoid a build up of low end energy.
Learn how to find the sweet spot between clarity and low end without sacrificing overall balance or weight
Evenant Guarantee
We don’t want any unhappy students. If we didn’t meet your expectations, get in touch within 21 days of purchase, and we’ll give you every penny back – no questions asked. But we’re so confident you’re gonna dig the course, we’re willing to take that risk. If you’re for some reason unhappy, get in touch within 21 days and we’ll issue you a refund and even let you keep the bonuses. So, see you on the inside?
Read full return policy.
Meet Your Instructor
Producers and engineers in the music industry are plentiful, but only a select few create a unique sound experience. The best share a deep understanding of sound technology and an equal yearning for creative experimentation. The very best also help clients from all genres and formats realize their individual vision while still realizing their own. With Austin Seltzer, you will find he is as rare as they come. An industrious producer and mixer dedicated to making an impact on the world, Austin uses his distinctive vision to help musicians produce a fuller, more immersive sound experience.
Austin was bitten by the music bug when his mother enrolled him in piano lessons at age four. As he grew, he discovered his love of technology and design while building rockets and watching airplanes take off with his father. It was only natural when the two worlds converged, and by the age of eleven, Austin began programming music in an early Digital Audio Workstation. He spent the next decade entrenched in his craft.
After graduation, Austin moved from Dallas to Nashville to attend The Blackbird Academy. While a student at The Blackbird Academy, Austin enjoyed mentorship from some of the most outstanding audio engineers and producers in the world, such as Vance Powell, Dave Pensado, Andrew Scheps, and Jacquire King.
FAQ
Absolutely! I have designed this workshop to help any skill-level person in audio creation. Whether you are an enthusiast, a composer, a producer, or a professional mixing engineer, I believe this workshop will provide techniques to improve your workflow and mindset to achieve the perfect low end in your track.
This workshop will solve your issues with struggling to get your low end tight, balanced, and weighty. If you are getting inconsistent results in your low-end when you listen to your track on different sets of speakers, this workshop is for you. We will also cover how to get your track LOUD while keeping the low-end intact without distorting.
How does lifetime access sound? After enrolling, you have unlimited access to this content for as long as you like – across any and all devices you own.
© 2016 – 2022 – Evenant US, inc – All Rights Reserved
© 2016 – 2022 – Evenant US, inc – All Rights Reserved
