Adding Too Many Elements to your Music
A common and most dangerous mistake to make in your composition is adding too many elements to your music. Here's why...
Author: Arn Andersson
Composer, producer, entrepreneur and digital nomad from Norway, and the co-founder of Evenant. Has a strong passion for traveling, exploring new cultures, learning new skills and creating new things.
Making Orchestration Second Nature
In order to make your orchestration second nature, repetition is key. Keep practicing, so that once you get it, you wont sweat the small stuff.
3 Beginner Tips For Huge Orchestrations
In this video, I will take you through 3 of my top beginner tips for achieving bigger, cleaner and more powerful orchestrations in the style of Two St…
7 Productivity Tips For Music Producers
As a composer today, you have to wear a lot of different hats. You usually have to practice a fairly wide set of skills, from composition, to orchestr…
Making Your Music More Cinematic: Hits, Ostinatos and Rhythms
In the first part, we looked at how we can use atmospheres and pads to create a new sense of depth and interest in your cues. This time around, it’s…
Making Your Music More Cinematic: Atmospheres
In this 4 part tutorial series, I will take you through some practical and easy, yet super effective steps to make your themes more interesting, more …
Creating More Realistic String Mockups
One of the biggest issues for a lot of new composers is creating realistic and great sounding mockups of their compositions. Strings in particular see…
Trailer Strings By Musical Sampling – Review
LOUD, HUGE AND AGRESSIVE STRINGS
A look at Trailer Strings – By Musical Sampling
Artifact – Fractal by Audio Imperia – Review
Audio Imperia has not been around for very long, but they have quickly risen to be one of the top picks for a lot trailer music composers, with high-q…
